Fine,Dear Utol (2025): My Bilmoko GF Episode 34 whatever. Julian Assange didn't want to be verified anyway.
He does, however, seem a little p*ssed at Twitter. Calling himself a "deplorable," the WikiLeaks founder tweeted Thursday that the social media platform has a "binary class system with proximity to power represented by 'blue tick' insignia."
SEE ALSO: Trying to protect teens by censoring the internet probably doesn't workTwitter typically verifies celebrities and accounts "determined to be of public interest" with a tick. The process used to be invite-only, but anyone, including controversial Australians apparently, has been able to apply online since mid-2016.
You might think Thursday's rant suggests Assange doesn't care much for Twitter's verification regime, but a deeper dive into his account (i.e. scrolling back about 10 tweets) tells a different, thirstier story.
Holed up in the Ecuadorian Embassy in London, Assange has mounted a campaign to get his account, with its more than 112,000 followers, verified in recent days. You might say he wants it real bad.
This Tweet is currently unavailable. It might be loading or has been removed.
On Tuesday, he tweeted his frustration directly at Twitter CEO Jack Dorsey along with a screen grab that said: "A request to verify this account has recently been reviewed and denied." According to a subsequent tweet, he's been trying to verify the account since early October.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
Assange wrote his first tweet in mid-February and has since been prolific. It seems unlikely Twitter hasn't realised he's around -- in which case, what a neg! To add insult to injury, the accounts of his own WikiLeaks and WikiLeaks Task Force are both verified.
In fact, Assange is not entirely incorrect that Twitter verification is a questionable "binary."
An analysis by Mashablein 2016 found that far more men than women have been verified. But then again, that doesn't quiteseem to be what he's miffed about.
Twitter has been contacted for comment.
NYT mini crossword answers for February 13, 2025NYT mini crossword answers for February 16, 2025The internet thinks Drake's new album is a total flopYouTube turns 20 years old. Did you know it was originally a dating website?What's new to streaming this week? (Feb. 14, 2025)Best Presidents' Day deal: Save $400 on the Hisense Canvas TVNYT Strands hints, answers for February 15Best Presidents' Day deal: Get 27% off Marshall earbudsNYT Connections hints and answers for February 14: Tips to solve 'Connections' #614.Meta’s rightward shift isn’t stopping leftist meme cultureSpaceX is so close to turning its rocket headquarters into an actual cityYouTube turns 20 years old. Did you know it was originally a dating website?The best galsStuff Your Kindle Day: How to get free books on Feb. 14, 2025NYT Strands hints, answers for February 16TikTok's My Emergency Contact trend, explainedBest Valentine's Day deal: Get a discounted gift card at Amazon for digital deliveryBest Presidents' Day deal: Get 27% off Marshall earbudsBest Max deals and bundles: Best streaming deals in February 2025Best Hulu deals and bundles: Best streaming deals in February 2025 There Was Beauty by Jill Talbot Redux: In the Latter Days by The Paris Review Cantilever by Jordan Kisner Redux: When They Could Have Been Anything by The Paris Review Unlucky Numbers by Michael LaPointe Texas History by Jill Talbot Masks at Twilight by The Paris Review Poets on Couches: Reading Max Jacob by Suzanne Buffam and Srikanth Reddy The Archive by Melissa Chadburn The Art of Distance No. 22 by The Paris Review A Little Fellow with a Big Head by Margaret Jull Costa Where Does the Sky End? by Nina MacLaughlin Philip Roth’s Last Laugh by Benjamin Taylor What’s the Use of Being a Boy: An Interview with Douglas A. Martin by Spencer Quong The Art of Distance No. 21 by The Paris Review A Story in One Picture by The Paris Review On Lasts by Jill Talbot Redux: Thunder, They Told Her by The Paris Review The Many Voices of Bobbie Louise Hawkins by Laird Hunt and Eleni Sikelianos The Art of Distance No. 14 by The Paris Review
2.4012s , 8201.9375 kb
Copyright © 2025 Powered by 【Dear Utol (2025): My Bilmoko GF Episode 34】,New Knowledge Information Network