Eugene Grant,Taste of Future Sister-in-law (2023) a writer and activist for the Restricted Growth Association (RGA), shared a thread on Twitter about the language people use when talking about people with dwarfism.
SEE ALSO: Grubhub is making it easier to support woman-led restaurantsIt started with Grant explaining why the word "m*dget" is offensive.
This Tweet is currently unavailable. It might be loading or has been removed.
Following on from that, Grant talked more generally about how people with dwarfism are addressed and referred to.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
This Tweet is currently unavailable. It might be loading or has been removed.
Mashablereached out to Grant on Twitter about his experience of the thread going viral. He told us that people do ask him about the language face-to-face, but often in an aggressive way.
"Often, the question 'what do we call you' is used as a retort to someone speaking out against a slur, such as the word 'M*dget'. It’s almost a challenge: 'Well, if I can’t call you THAT then what CAN I call you???'" he said.
He thinks that conversations about "dwarf and disabled bodies" rarely include the people who are being spoken about.
"I’ve often encountered the question 'but what do we [average height / able-bodied people] *call* you', but a lot of the time that question isn’t directed at me. It’s *about* me, and people like me, but less often put to us," he said.
"Many people want to be able to label bodies without learning from the people who own and live in those bodies."
"I think many people want to be able to label bodies without learning from the people who own and live in those bodies."
He also talked about his personal encounters with the word "m*dget".
"Some people seem to think that there is or was some medical meaning behind the m-word. I’ve had plenty of encounters with medical professionals and never, ever heard it used in this context," he said.
"I have only ever been called it as a slur – shouted by strangers in the street or in moving cars, or, as of the last 24 hours, on Twitter."
When Grant's thread went viral he received many positive responses, but he also was the target for a lot of abuse.
This Tweet is currently unavailable. It might be loading or has been removed.
Before the thread went viral Grant had about 200 followers. "Then I wake up and my tweet has gone viral overnight and I’ve over 2,500 followers and the trolls/bots/abusive people are out in full force."
Grant said he said that he initially challenged the abuse when the first few tweets came in, but now there are too many. But in person he challenges it often.
"In person, I do. A lot of the time. But this is difficult and I’d like to speak about this. One of the things we need to be very careful about is expecting dwarf and disabled people to have 'the perfect response' – i.e., to maintain perfect composure in the face of abuse, to educate the abuser, to give a clear message, to leave all witnesses with a good impression, and to walk away into the sunset.
"The perfect response is a mirage. I never get there. It doesn’t exist," he said.
"We are not your learning experience nor should we be."
"Receiving abuse can be very traumatic and to expect the recipient to have the perfect reply and to educate abusers puts enormous pressure on them. We are not your learning experience nor should we be.
"So yes, I often respond. Sometimes I have razor sharp wit, sometimes I can educate, sometimes I am composed, sometimes I shout, sometimes I’m left feeling despair, sometimes I’m bullet-proof, sometimes I crumble. I’m human, I am flawed, and that’s OK."
"Finally," Grant said, "Sometimes it’s not safe to challenge it and to do so puts you at greater risk. Sometimes the protection of your body trumps educating other people."
Someone tried skiing through London and it's truly facepalmUber is the latest to join big tech’s race into healthcareGoogle Hangouts Chat is now open to all G Suite usersApple targets Android users with new 'Switch to iPhone' ad campaignBombogenesis, explainedDangerous lateStephen Colbert on Donald Trump: 'He's coming for your guns'Viral app Vero will stay free 'until further notice'Here's why posters replacing white actors with black actors appeared in LondonFacebook job search tool expands beyond US and Canada to 40 countriesPhotos, videos show extent of nor'easter flooding across East CoastA grown man face'Westworld' creators settle fan debates over who actually died in Season 1Google Hangouts Chat is now open to all G Suite usersPlease don't ever hide my engagement ring in foodThis is what a red alert for snowfall actually looks like at an airportThis person with a tuba on their head is the perfect Photoshop battle heroHere's what Vero's founder has to say about its overnight successPilot report reveals vomitThis game tells the gender wage gap to f*ck off, and it's exactly what we needed Stung: New Paintings by Lamar Peterson Reimagining Elena Ferrante’s “My Brilliant Friend” As a Building It Probably Feels Pretty Good to Be a Bee Whitman Says: Quit Smirking and Eat Some Beef Already Bayou Fever: Romare Bearden’s Dynamic Collages The Life of Paper: New Art by Austin Thomas When Dreaming Was Mind Whiting Awards 2017: Tony Tulathimutte, Fiction Ernest Hemingway, Venture Capitalist Watch Yourself: The Cows Are Out for Blood Was Jane Austen Poisoned? Let’s Just Pretend… Love the Smell of Old Books? Try the Historic Book Odor Wheel What Is Poetry For? Whiting Awards 2017: James Ijames, Drama In an Ancient Cave, It’s Pointillism: The Prequel Our New Spring Issue: Walter Mosley, Elias Khoury, and More Kiki Smith: “Portraits, Celestial Bodies, and Fairy Tales” Whiting Awards 2017: Lisa Halliday, Fiction Revisited: Robert Lowell’s “Beyond the Alps” Whiting Awards 2017: Francisco Cantú, Nonfiction
2.7365s , 10134.9375 kb
Copyright © 2025 Powered by 【Taste of Future Sister-in-law (2023)】,New Knowledge Information Network